Autodidact, it has taken many years to set himself aside from the influences of certain Expressionist painters. Through the oils, he would slowly graduate towards favoring large format canvases which will define his own singular and direct language.
However, the repetition of time-worn methods and techniques, alongside the desire to « paint well » from mental imagery, would not be enough to satisfy him. Constantly on the lookout for that elusive space before the fabrication of an image, another interest would emerge from the grey, a sharp and fluid object, born of the razor’s edge, a pure « percept », a pictorality hatched from the « dirt ».
A painting which thirsts to be seen by the body, beyond the confines of any « planes-colors-matter », beyond the perception of an image; a mysterious object eluding itself.